Principles and practices of costume design, including the fundamentals of play analysis as applied to character statement, historical research, and rendering technique.
Advanced problems in lighting design, emphasizing nonrealistic applications. Detailed analysis and hands-on practice. Repeatable to a maximum of six hours.
Prerequisites and Corequisites Course prerequisite: THEA 445 or Instructor consent
Theory and practice of design/technical production portfolio preparation and presentation; resume writing and job-finding strategies for designers and technicians.
Prerequisites and Corequisites Course prerequisite: At least two classes from THEA 441 or 443 or 445 or Instructor consent
Advanced problems in stage directing, emphasizing text analysis, communication, and style as applied to one act plays. Repeatable to a maximum of six hours.
Prerequisites and Corequisites Course prerequisite: THEA 351
Study of the principles and systems of stage management, with particular emphasis placed upon developing effective organizational tools and communication techniques. Practical application of stage management skills in University Theatre productions.
Prerequisites and Corequisites Course prerequisite: THEA 351 or Instructor consent
Study of the special challenges in scripts from different historical periods and styles. Production and historical research, conceptualization, communication, and scene practice.
Prerequisites and Corequisites Course prerequisite: THEA 351 or Instructor consent
THEA 461 - History of Theatre & Drama: Beginnings to 1600
Survey of Western drama and theatre production through the Renaissance. Emphasis on Hellenic and Hellenistic periods, the Roman Republic, medieval England and Europe, renaissance Italy, Spain, and England. Study of selected plays from Aeschylus to Shakespeare.
Survey of Western drama and theatre from the Baroque through early Realism. Emphasis on the Jacobean period, as well as Neoclassical, Romantic, and early Realistic forms. Study of selected plays from Jonson to Ostrovsky.
Survey of Western drama and theatre from Realism through Theatre of the Absurd. Emphasis on Realism, Naturalism, Symbolism, Expressionism, Epic Theatre, Theatre of Cruelty, Existentialist Drama, and Theatre of the Absurd. Study of selected plays from Ibsen to Beckett.
Training in unarmed and armed combat for the stage. Includes fisticuffs, falls and rolls, work with quarterstaff, broadsword, and basic techniques of fight choreography.
Prerequisites and Corequisites Course prerequisite: THEA 232 or Instructor consent
A highly focused and topical course. The format includes student presentations and discussions of reports based on literature, practices, problems, and research. Seminars may be conducted over electronic media such as Internet and are at the upper division or graduate levels. Enrollment generally limited to fewer than 20 students.
Includes directed study, problems, readings, directed readings, special problems and special projects. Students complete individualized plans of study which include significant one-on-one student/teacher involvement. The faculty member and students negotiate the details of the study plans. Enrollments are usually 10 or fewer students. Meetings depending upon the requirements of the topic.
Special, intense sessions in specific topic areas. Approximately 45 hours of work is required for each hour of credit. Workshops may vary in time range but typically use a compressed time period for delivery. They may include lectures, conferences, committee work, and group activity.
Applied, monitored and supervised, field-based learning experience for which the student may or may not be paid. Students gain practical experience. They follow a negotiated and/or directed plan of study. A higher level of supervision is provided by the instructor in these courses than is the case with field experience.
Applied, monitored and supervised, field-based learning experience for which the student may or may not be paid. Students gain practical experience. They follow a negotiated and/or directed plan of study. A higher level of supervision is provided by the instructor in these courses than is the case with field experience.
Applied, monitored and supervised, field-based learning experience for which the student may or may not be paid. Students gain practical experience. They follow a negotiated and/or directed plan of study established between the student, instructor and field experience supervisor. Due to the presence of a field experience supervisor, a lower level of supervision is provided by the instructor in these courses than is the case with an internship or practicum course.
This course is the culminating Bachelor of Fine Arts production project, including appropriate research, preparation and production. Subtitle varies: separate sections are offered for BFA students in Acting, Design/Technology, and Musical Theatre.
This course is designed to engage students in their college experience, both academically and personally. The course aids students as they acquire and develop the skills necessary to reach their educational objectives. Through readings, discussions, reflective writing, and class activities, students will practice skills that will enable them to succeed in their college courses. In addition, the class will help students acclimate to the University Honors Program and the culture of The University of South Dakota.
Intensive reading of literature and writing on thematic topics selected by the instructor. Fulfills general education requirement for basic composition.
Note Registration restriction: Open by invitation only
Required of all students in the Honors Program
This course provides a broad overview of basic intellectual concepts and analytical methods and their historical context. It will introduce students to other cultures and provide background for the Honors Interdisciplinary Civilization course.
Service learning involves the integration of academic learning, relevant service with community partners, purposeful civic engagement and structured reflection for the purpose of enriching the learning experience and increasing student involvement in community service. The academic study may be in any discipline.
A highly focused and topical course. The format includes student presentations and discussions of reports based on literature, practices, problems, and research. Enrollment is generally limited to fewer than 20 students.
Includes current topics, advanced topics and special topics. A course devoted to a particular issue in a specified field. Course content is not wholly included in the regular curriculum. Guest artists or experts may serve as instructors. Enrollments are usually of 10 or fewer students.
In-depth exploration of topics not typically found in other college courses. These highly focused courses may require student presentations and discussions of reports based on literature, practices, problems, and research. Enrollment is generally limited to 15 students.
Note Registration restriction: Requires permission from the Honors program prior to enrollment
Includes current topics, advanced topics and special topics. A course devoted to a particular issue in a specified field. Course content is not wholly included in the regular curriculum. Guest artists or experts may serve as instructors. Enrollments are usually of 10 or fewer students with significant one-on-one student/teacher involvement.
Applied, monitored and supervised, field-based learning experience for which the student may or may not be paid. Students gain practical experience; they follow a negotiated and/or directed plan of study. A higher level of supervision is provided by the instructor in these courses than is the case with field experience courses.
Independent research problems/projects that lead to a research or design paper but not to a thesis. The plan of study is negotiated by the faculty member and the candidate. Contact between the two may be extensive and intensive. Does not include research courses which are theoretical.
Service learning involves the integration of academic learning, relevant service with community partners, purposeful civic engagement and structured reflection for the purpose of enriching the learning experience and increasing student involvement in community service. The academic study may be in any discipline.
A highly focused and topical course offered under special circumstances and generally outside of the honors curriculum. The format includes student presentations and discussions of reports based on literature, practices, problems, and research. Enrollment is generally limited to fewer than 15 students.
Includes directed study, problems, readings, directed readings, special problems and special projects. Students complete individualized plans of study which include significant one-on-one student/teacher involvement. The faculty member and students negotiate the details of the study plans. Enrollments are usually 10 or fewer students. Meetings depending upon the requirements of the topic.
The senior thesis is the capstone experience of the honors program. It includes significant scholarly work including, but not limited to, research or creative activity and a written component describing the experience. The plan of study is negotiated by the thesis committee and the student. Contact between the student and thesis director is extensive and intensive.
This course examines the leadership and activism of American Indian women during the Red Power Movement of the 1970’s. We will explore a definition of resistance that is culturally and historically specific to Native women. By viewing gender as a social construction that has cultural fluidity, we will analyze how Native women understood and contested their many roles through time and across cultures.
Includes directed study, problems, readings, directed readings, special problems, and special projects. Students complete individualized plans of study which include significant one-on-one student/teacher involvement. The faculty member and students negotiate the details of the study plans. Enrollments are usually 10 or fewer students. Meetings depending upon the requirements of the topic.
Includes current topics, advanced topics and special topics. A course devoted to a particular issue in a specified field. Course content is not wholly included in the regular curriculum. Guest artists or experts may serve as instructors. Enrollments are usually of 10 or fewer students with significant one-on-one student/teacher involvement.
Applied, monitored and supervised, field-based learning experience for which the student may or may not be paid. Students gain practical experience; they follow a negotiated and/or directed plan of study established between the student, instructor and field experience supervisor. Due to the presence of a field experience supervisor, a lower level of supervision is provided by the instructor in these courses than is the case with an internship or practicum course.
Note Registration restriction: Instructor permission.